Oxford Readings in Aeschylus (Oxford Readings in Classical Studies)

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  2. Department and University Information
  3. Bryn Mawr Classical Review
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This distinctive pattern of thought and conduct existed alongside an older classical pattern of benefaction, and the interaction between them generated controversy over the conduct of bishops and consecrated virgins. The co-inherence of co-operation and competition in Christian almsgiving, together with the continued existence of traditional euergetism, meant, however, that Christian alms did not, as is sometimes thought, turn bishops into the megapatrons of their cities.

Major political, literary, and artistic developments Major political, literary, and artistic developments alike are attributed to him.


This book deliberately and provocatively shifts the focus off Augustus while still looking at events of his time. Contributors uncover the perspectives and contributions of a range of individuals other than the princeps. In their self-display or ideas for reform, some anticipated Augustus.

Others found ways to oppose him that also helped to shape the future of their community. In showcasing absences of Augustus and giving other figures their due, the chapters of this volume make a seemingly familiar period startlingly new.

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In the world celebrated the th anniversary of the birth of democracy in ancient Athens, whose polis — or citizen state — is often viewed as the model ancient Greek state. In an age when In an age when democracy has apparently triumphed following the collapse of communism in Eastern Europe, it tends to be forgetten that the democratic citizen state was only one of many forms of political community in Greek antiquity. This volume aims to redress the balance by showing that democratic Athens was not the model ancient Greek state, and focuses on a range of city states operating a variety of non-democratic political systems in the ancient Greek world.

Eighteen essays by established and younger historians examine alternative political systems and ideologies: oligarchies, monarchies, and mixed constitutions, along with diverse forms of communal and regional associations such as ethnoi, amphiktyonies, and confederacies. The papers, which span the length and breadth of the Hellenic world from the Balkans and Anatolia to Magna Graecia and North Africa, highlight the immense political flexibility and diversity of ancient Greek civilization.

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Eighteen essays by established and younger historians examine alternative political systems and ideologies: oligarchies, monarchies, and mixed constitutions, along with diverse forms of communal and regional associations such as ethnoi , amphiktyonies , and confederacies. American Arcadia: California and the Classical Tradition examines the mythologizing of California as a Mediterranean haven recalling ancient Greece or Rome. It explores how Californians shaped their It explores how Californians shaped their world using the rhetoric of classical antiquity, from the first Anglo settlers in the nineteenth century to the present.

It looks at how Americans sought to establish an American Arcadia to contrast with the harsh winters, despoiled landscape, and dark industrial cities they left in the East and Midwest.

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Indeed, the classical metaphor proved so alluring that some individuals shaped their very physical and spiritual selves according to classical types. American Arcadia examines the evidence of material culture—painting, sculpture, photography, and especially architecture and landscape design—to explore these themes. More important, the book emphasizes the stories and people behind the works to understand how they came into being, what they meant to their makers, and how they affected contemporary and later observers.

Although its primary focus is on Los Angeles, early promoters defined the Southland loosely, so it also covers a broad geographical scope. The book provides a new appreciation for a way of seeing our history and ourselves, and for a mode that was once familiar—for a time even central—in America and that not only helps explain artworks from our past but also how our contemporary world developed. Consciously exploiting his position as a Greek writing in Latin, and as a contemporary of Julian, Ammianus wished the Res Gestae to be considered a culminating and definitive account of Julian.

This book makes an original contribution to the newly thriving field of ancient Greek and Roman performance and dance studies. It offers a better grasp of ancient perceptions and conceptualizations It offers a better grasp of ancient perceptions and conceptualizations of dance through the lens of literary texts.

It gives attention not only to the highly encoded genre of pantomime, which dominates the stages in the Roman Empire, but also to acrobatic, non-representational dances. It is distinctive in its juxtaposition of ancient theorizations of dance with literary depictions of dance scenes.

Part I explores the contact zones of ancient dance discourse with other areas of cultural expression, especially language and poetry, rhetoric and art, and philosophy and religion. Part II discusses ekphraseis of dance performances in prose and poetry. Dance is performative and dynamic, and its way to cognition and action is physical experience.

This book argues that dance was understood as a practice in which human beings, whether as dancers or spectators, are confronted with the irreducible reality of their own physical existence, which is constantly changing. This book is a comprehensive study of the methods of interpreting myths developed by the Greeks, adopted by the Romans, and passed on to Jewish and Christian interpreters of the Bible. Methods of Methods of interpretation are closely related to developments in Greek philosophy from the Presocratics to the Neoplatonists.

Most Greeks viewed myths as the creation of poets, especially Homer and Hesiod, or else as an ancient revelation corrupted by them. In the first instance, critics sought in the intention of the authors some deeper truth, whether physical or spiritual; in the second, they deemed it necessary to clear away poetic falsehoods in order to recapture an ancient revelation. Early Greek historians attempted to explain myths as exaggerated history; myths could be purified by logos reason and rendered believable. Occasionally, philosophers veered from a concern for the literal truth of myths.

A few thinkers, while acknowledging myths as fictions, defended their value for the examples of good and bad human behavior they offered. These early efforts were invaluable for the development of critical thinking, enabling public criticism of even the most authoritative texts. The Church Fathers took the interpretative methods of their pagan contemporaries and applied them to their reading of the scriptures.

Greek methods of myth interpretation passed into the Middle Ages and beyond, serving as a perennial defense against the damaging effects of scriptural literalism and fundamentalism. All Rights Reserved. OSO version 0. University Press Scholarship Online. Sign in. Not registered? Sign up. Publications Pages Publications Pages. Search my Subject Specializations: Select Browse Print Email Share. American Arcadia Peter J. You are looking at 1 - 20 of items for : Classical Studies x Download complete list of books in this Collection. Search within results Search within results.

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Bryn Mawr Classical Review

View: no detail some detail full detail. Keywords: heroism , of war and of love , history of sexuality , cross-dressing and initiation , depos , erotic poetry , Latin elegy , Homeric scholarship , iconography , Achilles , Briseis , Deidameia , Penthesileia , Patroclus. Apfel Published in print: Keywords: Aegina , choral lyric poetry , Pindar , sculpture , myth , economics , aristocratic culture , aristocratic politics , historiography , religion. African Athena : New Agendas Published in print: James , V. Naipaul , Derek Walcott , Eric Williams.

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Drinkwater Published in print: Alexander the Great in Fact and Fiction Published in print: Keywords: Alexander the Great , Mexico , panhellenic ideology , kingship , Macedon , conspiracies , Polybius , contemporary politics , conquest. Keywords: Proclus , Neoplatonism , ancient philosophy , late antiquity , reception , metaphysics , theology , exegesis , commentary. Keywords: alms , almsgiving , authority , bishop , benefaction , destitute , destitution , generosity , monk , practice , promotion , virtue.

The Alternative Augustan Age Published in print: Keywords: ancient Athens , political community , democracy , polis , citizen state , model ancient Greek state , Greek antiquity , city states. Holliday Published in print: In this part, the question of whether there is a core to translation; is there a central guiding idea to translation is discussed.

John Boardman 11 Mar 89 Creative Commons Introduction to Art of the Ancient World Donna Kurtz and Sir John Boardman talk about Sir John's life, his career and experiences as a classical scholar and also the relationship works of art from different cultures around the ancient world have with one another. John Boardman , Donna Kurtz 11 Mar 90 Creative Commons Research in Classical Archaeology Discussion between Sir John Boardman and Donna Kurtz on the subject of being classical archaeology researchers and academics and some of the challenges and opportunities they face.

Discussion on whether tragedy still exists in modern culture, whether in films, modern theatre or and other creative arts. Third dialogue on the nature of tragedy where they talk about whether tragic theatre teaches people, and if it does, how and what does it teach?

MA Reading List and Exams

A discussion of what the use of tragedy is, and whether the emotional experience of tragic theatre is simply a passing thrill or a vital part of life. Oliver Taplin , Joshua Billings 01 Mar 94 Creative Commons Defining Tragedy First dialogue between Oliver Taplin and Joshua Billings on tragedy: they discuss what 'tragedy' means, from its origins in Greek culture to philosophical notions of what tragedy and tragic drama are.

In particular, the Odyssey, the Medea and Oedipus Rex. Peter Brown gives his lecture on Roman Comedy. Peter Brown 22 Apr 98 Oliver Taplin on Classics Professor Oliver Taplin, an authority on classics and the performance of ancient drama, talks about the subject and his research.

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Oliver Taplin , Oliver Lewis 22 Apr Creative Commons. Isobel Hurst. Homer and the Discovery of the Pacific. Henry Power. Melinda Powers. Stephen Halliwell. Olga Taxidou. Classics and Social Justice. Nancy Sorkin Rabinowitz.

The Politics of Greece's Theatrical Revolution, ca. Peter Wilson. Nicole Haitzinger. Tragedy's Endurance. Erika Fischer-Lichte.